In the heart of New York’s artistic scene, a unique form of expression is gaining momentum. Queer clowning, a blend of humor, vulnerability, and social commentary, is captivating audiences and providing a platform for performers to explore and challenge gender norms.
At the forefront of this movement are artists like Joel Pipitone and Suz Murraywho use their performances to delve into the complexities of gender and identity. Their work is not only entertaining but also serves as a powerful commentary on societal expectations and the human experience.
The art of queer clowning
Queer clowning is more than just a performance; it’s an art form that combines physical comedy, character development, and social critique. Performers like Pipitone and Murray create characters that embody various aspects of gender and identity, using humor to explore and challenge societal norms.
Pipitone’s character, Mike Mike Diablois a boomer masculinity coach who teaches men how to be ‘real men.’ Through this character, Pipitone explores the absurdity of gender performance and the vulnerability of being queer in a world defined by gender. Murray’s character, Kachonkis a surrealist, robotesque worker surviving under capitalism. This character serves as a commentary on the grind of modern life and the impact it has on the body.
The growing popularity of queer clowning
The popularity of queer clowning has been on the rise in recent years, with more people discovering the joys of this unique art form. Pipitone teaches a monthly queer clown and movement workshop in Brooklyn, where they have noticed a growing interest in the art among the local queer community.
This uptick in interest is not limited to New York. The popularity of clownery has also been on the rise in other cities, including Los Angeles, where a mega-hip clown scene has emerged. This growth can be attributed in part to the publicity boost from clown and ‘Heated Rivalry’ star Connor Storrie this year.
The impact of queer clowning on the community
Queer clowning is not only a form of entertainment but also a means of connection and empowerment for the queer community. Performers like Pipitone and Murray use their art to create a safe space for people to explore and express their identities.
Tallie Medelfounder of the Brooklyn Comedy Collective’s clown program, has witnessed the impact of clowning on queer New Yorkers. They have seen how clowning can help people claim their gender or queerness and find a supportive community. This reckoning with truth is almost inevitable in clown class, as performers examine shame, humanness, and the confidence that comes from knowing oneself.
Clowning is also a form of resistance. Medel draws a line from clowning to anti-fascism and humanitarianism, stating that it is anti-fascist to claim one’s own body and know that it doesn’t belong to the state or another person. Clowns serve as mirrors, reflecting the truth and balancing the world by playing with status and power structures.
As the queer clowning scene continues to grow, it is clear that this art form is more than just a performance. It is a means of expression, a form of resistance, and a source of connection and empowerment for the queer community. Through their performances, artists like Pipitone and Murray are challenging norms, exploring identities, and creating a safer, more inclusive world.
